ENCO Systems, Benztown, Compass Media Networks, and vCreative have entered into apartnership to bring SPECai, an AI spec ad service, to vCreative’s customers by integrating SPECai into its suite of creative workflow platforms for broadcasters.
At NAB Show 2024, ENCO unveils DAD’s deeper integration with WebDAD’s remote workflow and a new AI module for content creation.
SPECai blends AI scripts and AI voices with Benztown music beds to create fully produced SPEC commercials in seconds.
The companies will work together to bring ENCO’s SpecAI solution to the broader North American radio market, helping affiliates create spec spots on-demand, reducing cost and accelerating time to air
ENCO Dad Radio Automation Software is flexible, customizable, and interoperable. DAD users know the audio playout and automation system for its Presenter On-air Interface and vast playout options. There are some features , however, that can be extremely helpful for the radio broadcaster that you might not know about.
AITrack and ENCO-GPT change the game for automated voice tracking, ad copy creation and more in radio and TV production workflows; ENCO will also erect a virtual production set on their booth
New innovations strengthen momentum for enCaption5 captioning software, modular enTranslate engine, WebDAD 3.0 remote radio interface, and RUSHWORKS product lines
We sit down with RUSHWORKS Founder Rush Beesley to chat about the recent acquisition of RUSHWORKS by ENCO.
Radio automation lets you easily, efficiently, and quickly organize, manage, and schedule your content, freeing up valuable production time and resources.
Pubcasting industry veteran Chuck Leavens uses multiple ENCO DAD systems to run jazz-formatted WZUM in Pittsburgh and, separately, the nation’s largest nationally syndicated 24×7 jazz “white label” music service.
Deep learning-powered speech-to-text engine powers Automated AV Captioning and Transcription for ENCO’s enCaption5
While closed captioning began as a way for the deaf and hard of hearing to understand the audio portion of TV shows, its use has now become quite pervasive.
Whether it’s broadcast television or video streamed over the top, viewers are familiar with closed captioning on their screens. This is because the FCC mandates on-screen captions to make the audio portions of over-the-air TV broadcasts accessible to the deaf and hard of hearing.
By offering live local radio captioning, WAMU is broadening its market reach by making its programming accessible to the deaf or hard of hearing, including those associated with Gallaudet University—a world-renowned Washington, DC-based university that serves deaf and hard of hearing students.
Video podcasting on social media allows everyday people to become broadcasters with their own signature channels.
The company’s focus, however, is on the live aspect of closed captioning—ENCO provides one of the few solutions that converts speech to text within a couple of seconds that can be displayed on a screen during a live event or within a web stream. They are now partnering with another Medialooks customer, RUSHWORKS, to provide a tight integration with their video production solutions by leveraging the built-in data transfer approach available in the Medialooks SDK, alleviating the need for additional hardware.
Debuting at the 2019 NAB Show, tailored enCaption4 configurations enable radio broadcasters to serve hearing-impaired audiences via web browser or mobile app